FilmLab

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Our 2022 FilmLabTV Writers' Rooms!

We are proud to announce our 2022 FilmLabTV Writers Rooms in Comedy and Drama!

Our showrunners this year include Daphne Pollon and Grant Rosenberg, two veteran producers and screenwriters for shows like MacGyver, Star Trek, Lost Girl, Jeremiah, Sullivan & Son, and Murphy Brown.

Welcome to our Winners!

The Comedy Writer's Room

Philippe Bowgen - Leigh-Keily-Philippe-Bowgen-393 1 copy 2
Philippe Bowgen
Kathleen Caprario-Ulrich
Kathleen Caprario-Ulrich
Myles Hewette - Myles Hewette Headshot
Myles Hewette
Kyle Kasabian
Kyle Kasabian
James-Murray-V
James Murray V
Julie Pearson
Julie Pearson
Isabelle Platt
Isabelle Platt
Christina Cigala
Christina Cigala and Brad Harris

The Drama Writer's Room

Michael Berner
Michael Berner
Jo Harper
Jo Harper
Seamus Heffernan
Seamus Heffernan
Autumn Kalquist
Autumn Kalquist
Dee Mick
Dee Mick
Howard L. Mitchell
Howard L. Mitchell
Anika Shakir
Anika Shakir
Andy Healy
Andy Healy

Our 2021 FilmLab Writers' Room!

Our 2021 finalists joined our showrunner, Daphne Pollon, in an online writers' room in spring of 2021! Meet the room below!

Alice Wang

FilmLab 2021 Winner

Alice Wang is a Chinese-Canadian filmmaker and screenwriter based in Toronto. With a degree in psychology and political science from the University of Toronto, she has now transitioned to filmmaking and is at Humber College studying film and multiplatform storytelling. Passionate about representation in media, she aims to tell LGBTQ+ stories, immigrant stories, and stories about belonging and acceptance. In her free time, she loves to beatbox, play the guitar, and kick around a soccer ball.

Eleanor Campbell

N. Eleanor Campbell is a Portland screenwriter whose passion lies in expanding queer representation in episodic television. Eleanor is proudest of her work co-writing and set-producing Kai Tillman’s “Hey Man” which is in post-production. One of her current projects is building the Playwriting/Screenwriting Certification program for The Conservatory Online. Outside of the film world, Eleanor works for Oregon Health and Science University as a Computational Biologist. She lives in South Portland with her dog, Rowena, her cat, Misha, and over two dozen house plants.

Jaime Dunkle

Jaime Dunkle once killed 30 bikers and died twice in a movie. She has performed raw memoir and wild tales in Portland for over 20 years. She directed, wrote and acted in ritual theater and performance art as a youth. She appeared in a dozen b-movies you’ve never seen. She has conducted counter-culture interviews for Suicide Girls, reported for The Oregonian and Digital Trends, and has written columns for Exotic magazine. Jaime also dabbled in stand-up and live sketch comedy and considers herself a humorist. Her columns, new-journalism essays, fiction, and screenplays center on the paradox of absurdity and drama.

Peter Kimball

Peter Hoffman Kimball is an award-winning writer, filmmaker, and former bouncer. As a director, his short films have played at festivals on five continents. He is the husband of an ER doctor, the father of multiple children, and the roommate of an obstinate beagle.

Nagham Osman

Egyptian writer/director, born and raised in Dubai, Nagham Osman moved to New York to fulfill her dream to study at NYU’s Tisch School of the Arts graduate film program. She received her Bachelor’s degree from the American University in Cairo where she studied theatre and mass communications. Two years later, she met the Canadian-Syrian director Ruba Nadda at the Cairo Film Festival who offered her a job on the feature film Cairo Time. She also worked on Transformers: Revenge of the Fallen and Fair Game in Egypt as a production assistant. Iranian director Abbas Kiarostami inspired her to pursue directing.

Sabeena Singhani

Sabeena N Singhani (she/her) is a Brooklyn-based journalist and artist. She currently works with CNN, after serving as a journalism fellow at The New School. She received a grant from NYU’s Asian/Pacific/American Institute in the summer of 2020 to begin Ghar, a short documentary that follows three Asian/Pacific Islander women/non-binary folks through their daily lives as new essential workers. Her work centers around home, diaspora, and the gendered body.

Katy Strutz

Katy Strutz is an artist based in Portland, OR who is fascinated by the aesthetics of stop motion in the age of CGI. She endlessly enjoys investigating how best to capture tactile characters in photography, and believes people made by hand are often the most human of all. She is currently working as a character sculptor on Guillermo del Toro's "Pinocchio",  and has also worked for studios such as Laika, Shadowmachine and Hornet Inc. She is an advocate for pickles of all kinds and is an insufferable, inoperable musical theatre fan.

Luke Zwanziger

Luke Zwanziger is a writer, actor, and filmmaker living in Portland, OR. His screenplays have been semi-finalist at ATX, NYC Midnight, and more. He works as the Director of Video Production at Curious Comedy Theater. He loves film and has been board members of the Eastern Oregon Film Festival and the Ruby Peak Film Festival. He runs a monthly comedy short showcase called Portland's Funniest Videos every third Wednesday. He has performed and taught improv comedy around the world. He loves the art of improv because it allows unfiltered exploration of character and story.

The FilmLabTV Cohort

Winning writers will join our FilmLabTV Cohort, where they will participate in workshops, check-ins and Writer’s Rooms with colleagues and industry professionals. They will also practice pitching their work to Grant Rosenberg, a former executive with Paramount Television and Walt Disney Studios. A few weeks later, writers will step into the Writer’s Room with either Grant Rosenberg (drama) or Daphne Pollon (comedy) to break a script and develop an episode of a show. Finally, the participants will have the opportunity to present a table read of their work at the Willamette Writers Conference, in partnership with SAG-AFTRA.

The cohort is all online this year. Congrats to our 2022 FilmLab Winners!

About the Contest

FilmLab started in 2012 during the Willamette Writers Conference. The lab grew out of a desire to expand upon and promote the growing film industry in Portland, Oregon. Willamette Writers has been helping writers find their community, develop their craft, and expand their careers for 56 years.

Rules & Guidelines

Important: Only one script submission allowed per person. We cannot accept scripts from writing teams. If your script was co-written with another person or group, choose one person who will retain authorship of the script. If chosen, only that one person will join the writer’s room. If two names are submitted, the script will be disqualified.

Judging: Scripts will be judged on their creativity and writing in the particular genre (comedy or drama).

Submissions: All submissions should be written in English, typed in 12-point Courier or similar font, and in industry-standard screenplay format. Maximum of ten pages (as normally formatted on standard 8.5x11 paper). Scripts should be converted to and exported as PDF files. Submissions over ten pages will be rejected without refund.

Story: Scripts should be aimed at a general audience. No pornography or graphic violence. FilmLabTV and the contest judges may disqualify a script from consideration if the subject matter or content of the script is, at the judges’ sole discretion, not suitable for the contest.

Travel: Finalists and winners are responsible for their own travel and accommodations.

Eligibility: Members and immediate family of the Willamette Writers Board, Committees, Staff, Program Chairs, Chapter Chairs, and FilmLabTV judges and personnel are not eligible to participate. Previous FilmLabTV Grand Prize winners are not eligible to participate. FilmLabTV participants from the last three years are ineligible (in order to provide the opportunity for more writers).

Legal Information

By entering the FilmLabTV Competition, entrants affirm that the submitted script is their own work. Entrants understand their submitted work will be distributed and viewed my multiple judges and Willamette Writers personnel. Scripts will not be returned. Entrants agree to hold Willamette Writers, Inc. (a nonprofit, 501(c)3 organization), the Willamette Writers Conference, and the FilmLabTV team harmless with respect to any claims (including, but not limited to, claims related to intellectual property, defamation, or any other tortuous acts) arising from the acts of any individuals acting within the scope of their duties to Willamette Writers and its programming.

Legal Information for the Writer’s Room Activities

Editorial Control: The Entrant agrees that, if entrant’s ideas from within the writer’s rooms are produced into a film or series, the resulting film or series may vary in form or content from the original idea, owing to artistic choices by the director or to production needs and limitations. Entrant understands and agrees that Willamette Writers and its supporting teams will have final artistic and editorial control over the resulting script created in the writers’ rooms. Any ideas used in such script will be credited to the FilmLab Cohort participants as assistant writers.

Ownership: In exchange for the expense and effort expended by Willamette Writers, Inc. and the team in supporting cohort activities, the Entrant agrees to fully assign and transfer Entrant’s ownership and copyright interest in work developed during the Writers’ Rooms to Willamette Writers, who shall be the owner of the final completed script. Entrant understands Willamette Writers may exhibit and promote Writer’s Room activities and ideas on an ongoing basis, at film festivals, and at Willamette Writers events.

 

Our 2021 Showrunner: Daphne Pollon

Daphne Pollon side-on portrait in greyscale
Daphne Pollon is a writer-producer of American television comedy. During her twenty-year career, she’s written for shows including It’s Garry Shandling’s Show, Murphy BrownStyle and SubstanceThe JobLove and Money, My Adventures in Television, and Sullivan and Son. She’s also created original pilots.  For several years, she taught at USC in Graduate Television Comedy Writing, Graduate Thesis, and Multi-Cam Workshops. She’s lectured at Cornell and has been a recurring guest at the Galway Film Festival and the Dingle Film Festival. Through the WGA, she mentors military veterans in the guild’s comprehensive, year-long writing program. Last winter she was a resident Guest Lecturer at Napier University, Screen Studies, in Edinburgh. Over the summer she continued to mentor her Scottish students and was also a speaker at the fabulous Willamette Writers Conference. Currently, she is (hating) writing a novel and (thoroughly enjoying) consulting on various projects. Raised in San Francisco, she graduated (eventually) from USCB.

Important Changes to FilmLab 2021

FilmLab winners normally have their pilot script produced by Willamette Writers, but due to COVID that cannot happen this year. The writers room will still take place over Zoom, giving the winner and finalists a chance to experience and work together in a professional writers room setting.
Oregon Film Logo

FilmLab and Willamette Writers would like to sincerely thank Oregon Film for their support of the 2021 FilmLab Writers' Room. We thank them for their investment in the screenwriting community in Oregon!

https://oregonfilm.org/

How the writers' room works

Led by an experienced showrunner, winning writers will make edits to the winning script, collectively write a second episode, and potentially map out an entire first season, time permitting.
Charlie LaTourette

A member of the Dramatist Guild of America, Actors Equity and AFTRA, Charlie LaTourette's writing credits include Another World (NBC), HOOPS (Divine Theatre Company), Chicken Little Was Right! (New York Actors Ensemble), Franks (Theater St. Peters at CitiCorp), Twisted Positions (Courtyard Theatre) and All The Tomatoes (Lion Theatre on Theatre Row.) Three of his plays were produced by PDX Playwrights. He studies at the NW Film Center, and his screenplay Myosotis Love has been a finalist at the NW Film Festival, Big Apple Film Festival, among others. The script was filmed in 2019.

Lindiwe Mueller-Westernhagen

Lindiwe Mueller-Westernhagen is a songwriter turned screenwriter. Her first short film, Desmond’s Not Here Anymore, won the 2019 HollyShorts Screenplay contest and will be produced in 2020 by the Seattle Film Summit. Her first comedy TV pilot, That Sister Thang, was Fresh Voices runner-up and has been Finalists in other international screenwriting competitions. She was voted by NetworkISA as Top 25 Screenwriters to watch in 2020. She is also a ISA Development Slate writer and a Stowe Story Labs alumni.

Matt Sadowski

Matthew’s love letter to John Hughes (Don’t You Forget About Me, 2006) saw an overnight bidding war for the microbudget doc, after the reclusive Hughes passed away suddenly. The same year, he also filmed his improvised featurette (Most Likely To), which was called “a potent calling card” by Variety Magazine. Matt's second flick was his critically acclaimed narrative feature debut (Pretend We’re Kissing, 2015) featuring Zoe Kravitz and is now available across digital/VOD/ platforms around the world. He received accolades for writing/directing The Brief (www.thebriefseries.com). His next film, Cherries, was a top three finalist at the 2019 Slamdance Script Competition.

Luke Zwanziger

Luke Zwanziger is a writer, actor, and filmmaker living in Portland, OR. His screenplays have been semi-finalist at ATX, NYC Midnight, and more. He works as the Director of Video Production at Curious Comedy Theater. He loves film and has been board members of the Eastern Oregon Film Festival and the Ruby Peak Film Festival. He runs a monthly comedy short showcase called Portland's Funniest Videos every third Wednesday. He has performed and taught improv comedy around the world. He loves the art of improv because it allows unfiltered exploration of character and story.

Emily Redinbo

A native Oregonian, Emily Redinbo lived in the Bay Area, upstate New York, and Boston before returning with her family to enjoy the Pacific Northwest. A medievalist with expertise in ancient languages, she taught writing and literature at Cornell University and Santa Clara University, prior to working for a high tech company in the Silicon Valley. Currently, Emily’s revising her YA novel set in Oregon, a modern retelling of Sir Gawain and the Green Knight. She recently completed a feature screenplay about the female chemist who formulated the first effective treatment for leprosy.

Dragos Andrei Dobai

Dragos Andrei Dobai studied Advanced Screen Writing at NW Film School in Portland. He has been working on other projects in the animation field, but '770' is his first live-action short screenplay, and he is thrilled to be one of the finalists. His short is intimate, intense, dialogue-driven, with old school east European sets. With the increased conversation about abortion bans in the US, he thinks we have to tell this story. The message of the movie is NEVER FORGET and never tell women what to do with their bodies.

Ian Fletcher

Ian is a playwright and screenwriter based in Oxford, UK. On a whim he decided to enter a local stage play competition to keep busy during a long commute. To his surprise, The Trinity won and was produced at the Burton Taylor Studio in Oxford. He was hooked and has since written two full length plays and two television pilots that have placed in multiple competitions. Never Meet Your Hero is his first foray into webseries and he is pleased to see that all those years spent daydreaming are paying off, as was the plan all along, he swears.

David Musgrave

David M. Musgrave is an established sculpture artist, children’s book writer, screenwriter and architect who enjoys the surprise of abnormal art scale, daring and exhilarating color in design and imaginative writing. Waddle, his 12 foot tall steel duck sculpture, stands in a local park and his children’s book Mrs. Claus Who?, is loved by many.

Our 2020 FiLMLaB Writers' Room!

About the Contest

FiLMLaB started in 2012 during the Willamette Writers Conference. The lab grew out of a desire to expand upon and promote the growing film industry in Portland, Oregon.

The Script to Screen Competition is the main focus of FiLMLaB. Writers submit a script, which is judged by industry professionals in Portland for the first round, then sent to our judges in LA for the final round. The winning script is then produced by Willamette Writers, and is premiered at the Willamette Writers Conference the first week of August.

From our 2019 Winner

"FiLMLaB has made my entire year!  To say I’m grateful for this experience is an understatement – I got to workshop my short, sit in on the casting process, be on set, watch a couple editing sessions, attend festivals – this has forever changed my perception of the movie-making world and the village it takes to make something good.  Not only that, but I’ve gotten to work with and meet so many talented, kind and lovely people that I otherwise would not have.  The support and encouragement alone are an awesome prize.  Thank you, FiLMLaB and Willamette Writers!"

-Alexandra Keister, 2019 FiLMLaB winner

Click here to read the full interview!

Our 2019 Contest was supported by a generous grant from the Regional Arts and Culture Council. We thank them for their investment in our screenwriting community, and their continuous work toward creating a stronger arts community.

Our 2018 Competition

Writers Room

Our 2018 Competition brought a new twist -- FiLMLaB! Writers submitted their web series scripts to earn a spot in the Writer's Room with Showrunner FJ Pratt (Ellen, Frasier, Sullivan & Son). The winning script launched into production in 2019.

Alexandra Keister, a Portland screenwriter, won with her script "Stripes." Her story was produced by Alyssa Roerhenbeck, and directed by Phil A. Anderson. It premieres at the Willamette Writers Conference in August.

FJ Pratt
Executive Producer FJ Pratt
Alexandra Keister photo
Writer Alexandra Keister
Alyssa Roehrenbeck
Producer Alyssa Roerhenbeck
Competition Coordinator Jon Dragt
Contest Coordinator Jon Dragt
Production Coordinator Amy Souza
Production Coordinator Amy Souza
Screenwriter Randall Jahnson
Consultant Randall Jahnson

The 2019 FiLMLaB Team

Glenn McCumber: "Jacques"
Jessi Walters: "Genevieve"
Raquel Mansell: Marcelle

The 2019 FiLMLaB Cast

Regional Arts and Culture Council
image001

The 2019 FiLMLaB Crew

 

Philip A. Anderson: Director

Alyssa Roehrenbeck: Producer 

Amy Souza: Production Coordinator

Eric Macey: Director of Photography  

Efrem Peter: Camera Operator  

Sean Conley: First Assistant Camera

Jasmine Karcey: First Assistant Camera 

Christopher Alley: Gaffer

Ryan Fitz: Key Grip  

Travis Buffington: Grip and Electric Swing

Rory Leonard: Grip

Heidi DuBose: Sound Mixer

Jade Harris: Production Designer/Costumer Designer

Kameron Gates: Makeup Artist 

Jon Dragt: Script Supervisor  

Ashley Blincow: Production Assistant  

Proudly Supported By

Companies and Organizations

Regional Arts and Culture Council

Gearhead Production Rentals

Deep Sea Pictures

Koerner Camera

Galaxy Sailor Productions

Canby Film Festival

Klamath Film Festival

Individuals

FJ Pratt

Phil Anderson 

Alexandra Keister

Eric Macy

Jade Harris

Efrem Peter

Heidi DuBose

Kameron Gates

Glenn McCumber

Jessi Walters

Raquel Mansell

Randall Jahnson

Stefen Feuerhardt, Attorney at Law

Amy Souza

Kate Ristau

Donations

Nicholas Restaurant

Off the Waffle

Crater Lake Soda

Xylem Cider

Ecliptic Brewing

New Cascadia

Hot Lips Pizza

Nossa Familia Coffee

Heathman Hotel

From the FiLMLaB Blog

Member News: Oregon Made Grant for BIPOC Filmmakers & Stories

By Willamette Writers | August 6, 2020

The Oregon Made Creative Foundation is launching a $20,000 grant focused on BIPOC Filmmakers and Stories. Oregon’s open spaces and outdoor pursuits are for all Americans and visitors, yet there is a well-documented inequity in America that is deeply rooted in our shared cultural history, and as a whole, our outdoor spaces are not equally…

McMinniville Short Film Festival call for entries

Member News: McMinnville Short Film Festival Call for Submissions

By Willamette Writers | June 29, 2020

The McMinnville Short Film Festival is celebrating its 10th year, and submissions are now open for all categories. The festival takes place February 19-21, 2021, presenting 80-85 films of 20 minutes or less from around the world across 3 days. The MSFF is proud to highlight its new Shawash Ilihi Award for films by Native…

Grant Rosenberg

TV Development and Production with Grant Rosenberg

By Kate Ristau | March 2, 2020

Grant Rosenberg, an accomplished film creator, will be joining the Willamette Writers Conference this August

By Kate Ristau | March 9, 2019

FiLMLaBtv 2019 Writer’s Room The 2019 winning script is “Stripes,” written by Alexandra Keister. Keister, an executive assistant and screenwriter, has written two feature-length screenplays, both romantic comedies, and a handful of short screenplays that range from dark sci-fi to the classically uplifting my-dog-is-dead story. She graduated from Oregon State University in 2012 with a BA…

Member News: Mary Andonian & David Poulshock launch ISA Third Thursdays

By Kate Ristau | October 10, 2018

Mary Andonian & David Poulshock launch ISA Third Thursdays Members Mary and David are launching the local chapter of the International Screenwriters Association(ISA). It’s a monthly mixer for screenwriters on Third Thursdays, where you can mingle with fellow screenwriters, meet film and television industry professionals, and win door prizes — including a free Willamette Writer’s…

Experts Weigh In: 10 Crucial Screenwriting Mistakes

By Willamette Writers Portland | July 11, 2018

Experts Weigh In: 10 Crucial Screenwriting Mistakes Lee Jessup, a member of our screenwriting faculty at the upcoming Willamette Writer’s Conference and the author of Breaking In: Tales from the Screenwriting Trenches and Getting It Write: An Insider’s Guide To A Screenwriting Career shares how to avoid ten screenwriting mistakes. You can find this post and others…

Attend FiLMLaB.tv workshops and get all the value without even attending!

By Willamette Writers Portland | July 11, 2018

Attend FiLMLaB.tv workshops and get all the value without even attending! Well, not really. Eventually you’ll have to “attend.” But thanks to space-age technology, Willamette Writers is presenting two valuable workshops online that you will be able to access 24/7 AND multiple times right up until the conference. That means that even if you’re not…

Randall Jahnson Screenwriting workshop

Randall Jahnson and FiLMLaB Screenwriting Workshop

By Willamette Writers Portland | February 6, 2018

Screenwriting Workshop Willamette Writers and FiLMLaB invite you to join us for an online screenwriting workshop with Randall Jahnson. Details Date: Saturday, April 21st Time: 12-2PM Cost: Free Open to the public This is an online workshop Click here to register. About Randall Jahnson Randall Jahnson has written more than 20 feature-length screenplays. Not all…

FiLMLaB Adds Showrunner for its Web Series Project: FiLMLaB.tv

By Willamette Writers Portland | November 18, 2017

Willamette Writers and FiLMLaB are thrilled to announce that veteran network television writer and producer F.J. Pratt has agreed to helm this year’s program, an Episodic Storytelling LaB: FiLMLaB.tv! About FiLMLaB.tv Showrunner F.J. Pratt F.J. Pratt has been a television comedy writer for twenty-five years, starting on the writing staff for network shows including “Frasier,”…

FiLMLaB Screening at McMinnville Short Film Festival on Saturday, October 21st

By Willamette Writers Portland | October 15, 2017

The FilmLab staff has had a great summer, planning for our 2017-2018 contest (details to come!) and performing various ritualized rain dances in a battle against the heat. Now that the weather has cooled down (you’re welcome!), prime moving watching season is upon us. We wanted to let you know our latest film, INTERCEPT, written…