Ruth Witteried

As Visual Media Director, Ruth Witteried works with all programs based in the visual arts, including screenwriting and film production. As Executive Director of the FiLMLaB competition and project, she produced the 2012 FiLMLaB short, Alis Volat Propriis, winner of the 2013 OIFF Best Comedic Short; 2013′s Coffee.Table.Book.; 2014's Unwelcome Guests, and in 2015, The Return of Bug Eyed Bill. She acted as Film Coordinator for the Willamette Writers Conference from 2011-2013 and occasionally teaches screenwriting at Clark College. She currently is Executive Director of Willamette Writers' FiLMLaB. You can follow her on Twitter @sityourassdown1 or Facebook at FiLMLaB. Contact her. (visualmedia@willamettewriters.org)

FiLMLaB Writing Contest Enters Its Final Week

We have arrived at the final week of the FiLMLaB writing contest. You can still work all week and through the weekend on your seven page short script, but it must be submitted by 11:59 this Sunday night. Plenty of time, really. If you’ve already submitted–congratulations; you are a rock star. You took a risk…

The Haunting of Sunshine Girl: Or How A Northwest Trio Hooked The Weinsteins

“Nobody knows anything…” William Goldman’s famous quote about Hollywood, may very well apply to the publishing industry as well; especially during this time of digital expansion and the resulting democratization of creative expression. The tools of production and marketing are available to everyone now, not just studios and publishing houses. What the long term net…

Bug Eyed Bill? Blame It On Eric Witchey

If you follow FiLMLab at all, you know that we haven’t been around terribly long–a mere four years, including this one. But this year’s contest is by far the most challenging. In the first two years, we asked that you utilize the annual Willamette Writers Conference theme in your short script (“Fresh Brewed” and “New…

From Script To Short To Feature: Whiplash

My husband and I loved it. His mother hated it. A provocative, at times terrifying piece of filmmaking, you don’t have to like it to recognize the quality of Damien Chazelle‘s Oscar winning film, Whiplash:  BLACK… We hear a HIT. A drumstick against a drum head. Crisp, sharp. Then a second hit. Then a third…

FiLMLaB At The Midpoint

The Living Room

We are halfway through the FiLMLaB short script contest. There’s still plenty of time to submit your seven page script for a chance at the Grand Prize: the filming and production of your story by a professional film crew. In three act structure, the second act is always the longest, and arguably the most tedious…

Don’t Short Your Chances With Film Shorts

By Danny Manus
If you’re using a short film as your calling card, you need to make sure it’s dialing the right number.
Unless you live in Denmark, where making short films can actually be a sustainable career, film shorts are basically made for three reasons; as practice; as inspiration or proof of concept for a larger feature project; or as a sample to show off your talents.

Diary of a Slamdance Festival Juror

by Josh Leake Portland Film Festival’s Josh Leake shares his experience as a 2015 Slamdance Juror. Originally posted via Indiewire, it is shared here with the permission of the author. To learn more about Josh, see his bio at the bottom of the page. Founded by a group of friends in 1995, Slamdance is one…

Author, Producer Bill Johnson on Short Scripts

(This blog is being reposted courtesy of the author. Originally titled, Revelation, Story, and Plot in a Script for a Film Short, it appeared in a June 2013 FiLMLaB column. It is worth reviewing, along with Bill’s short video discussing short scripts, common errors inexperienced screenwriters make, and the benefits for writers in going through a…

InkTip Signs On As FiLMLaB Sponsor

If you’re an aspiring screenwriter you may have heard of Ink Tip, the online resource where writers can connect their script with industry professionals. If you haven’t, then stay with me, because Willamette Writers is very happy to announce that InkTip has signed on as a sponsor for the 2015 FiLMLaB Contest! InkTip offers writers…

Randall Jahnson Talks Short Scripts

For those of you who couldn’t join us for the workshop, Randall has provided a few notes for you to think about as you work on your short script. Distill your story down to the essentials – the salient moment/scene Make sure your story has conflict Grab your audience’s attention ASAP – that usually means…