Tuesday night. You're in your pajamas, streaming the latest season of MASTER OF NONE. Or GILMORE GIRLS. Or--no judgement--POWER RANGERS: TURBO. About four episodes in, the "Keep Watching" box pops up. If it has been one of those weeks, click the button.
But if you've ever wondered what it is like being on the end of a television show, then this might be your year.
This year, FiLMLaB is making a pilot for an episodic web series.
Don't know a thing about writing for TV? Don't have an idea for a show? We will help you with our web series bootcamp.
Submissions are open
When you're ready, we invite you to submit your web series pilot for our script to screen competition. The web series script should be 7 pages maximum, in standard screenplay format, with 1-4 speaking characters. The pilot should have a beginning, middle, and end, and be aimed at a general audience.
With the help of a director, producer, and the writing team, the pilot of the web series will be shot in Portland, Oregon. In the end, the winner of the competition will have a produced film to their name, and everyone in the Writer’s Room will walk away with an IMDB credit, and an experience they will never forget.
Judging: Scripts will be judged on their creativity and writing, as well as their ability to be successfully produced for FiLMLaBtv, as provided by the Production Guidelines below.
Submissions: All submissions should be written in English, typed in 12-pt Courier, or similar font, and in industry-standard screenplay format. Maximum of 7 pages (as normally formatted on standard 8.5x11 paper). Scripts should be converted to and exported as PDF files. Submissions over 7 pages will be rejected without refund.
Story: Scripts will be judged as self-contained stories, with a beginning, middle and end, but they should also hold the promise of the season to come. All genres accepted. The ideal script will reflect FiLMLaB’s “experimental” nature, and the web series medium. Scripts should be aimed at a general audience. No pornography or graphic violence. FiLMLaB and the Contest judges may disqualify a script from consideration if the subject matter or content of the script is, at the judges’ sole discretion, not suitable for screening at the FiLMLaBtv event at the Willamette Writers Conference.
Location: Script must take place predominantly in one, normally available indoor location accessible from within the Portland metro area. Consider that specific, public locations (libraries, schools, etc.) may need to be reproduced or substituted, depending on the availability and cost of required permits. Beware that additional or exotic locations are not disqualifying, but may be negatively considered by FiLMLaBtv and the Contest Judges.
Cast: Maximum of 4 main characters. Additional minor characters or “extras” are acceptable, but beware that scenes requiring a “crowd” may be un-producible.
Effects: Hey, Spielberg, we don’t have access to George Lucas’ studio, so consider that any special effects or makeup designs will be done with cardboard and Maybelline, if at all. Extensive wardrobe requirements may also be a detriment.
Travel: Finalists and winners are responsible for their own travel and accommodations.
Eligibility: Members and immediate family of the Willamette Writers Board, Committees, Staff, Program Chairs, Chapter Chairs, and FiLMLaBtv judges and personnel are not eligible to participate. Previous FiLMLaB Grand Prize winners are not eligible to participate.
By entering the FiLMLaBtv Competition, entrants affirm that the submitted script is their own work, and that the entrants have not previously sold, assigned or licensed any rights to the script. Entrants understand their submitted work will be distributed and viewed my multiple judges and FiLMLaBtv production personnel. Scripts will not be returned. Entrants agree to hold Willamette Writers Inc. (a nonprofit, 501(c)3 organization), the Willamette Writers Conference, and FiLMLaBtv production team harmless with respect to any claims (including, but not limited to, claims related to intellectual property, defamation, or any other tortuous acts) arising from the acts of any individuals not acting within the scope of their duties to Willamette Writers and its programming.
Legal Information for the Winning Script
Editorial Control: The Entrant agrees that, if entrant’s script is produced into a film or series, the resulting film or series may vary in form or content from the submitted script, owing to artistic choices by the director or to production needs and limitations. Entrant understands and agrees that Willamette Writers, through its production team, will have final artistic and editorial control over the resulting film or web series.
Ownership: In exchange for the expense and effort expended by Willamette Writers, Inc. and the production team in producing the film or web series based on the Entrant’s script, Entrant agrees to fully assign and transfer Entrant’s ownership and copyright interest in the winning script to Willamette Writers, who shall be the owner of the completed film or web series. Entrant understands Willamette Writers may exhibit and promote this Film or web series on an ongoing basis, at film festivals, Willamette Writers events, and the Film may be available for viewing online.
Submit to FiLMLaBtv
So, go ahead. Watch that next "Shadow Rangers" episode. But if you're ready to bring your own TV vision to life, click here to submit.
From the FiLMLaB Blog
FiLMLaB’s Script to Screen Competition Closes at Midnight, March 1, 2014. Thanks to all of you who came to the Open House last Feb 8 to check out our set location. Whoever wins the FiLMLaB script to screen competition will have his/her script filmed at the Willamette Writers’ Cynthia Whitcomb House in West Linn! Contest Closes this…
Due to this weekend’s Snowpocalypse in the Portland area, FiLMLaB’s Open House at the Willamette Writers Cynthia Whitcomb House has been rescheduled to NEXT SUNDAY, Feb 16, from 2 to 5pm. So, please come out NEXT WEEK to tour the “set” for this year’s FiLMLaB winning short film, grab some snacks, chat with our director Christopher…
On Sunday, February 9th, 2014, from 2-5 pm, Willamette Writers and Ampersand Productions will host an Open House at the Cynthia Whitcomb House for Writers. This will give all of our screenwriters a chance to visit the site where the FiLMLaB Script to Screen Competition will be filmed. You’ll have an opportunity to explore the individual writing…
OK. This is it. Well, not really. But this is it for the early bird registration for the Script to Screen Competition. You have less than two weeks to get your script in for a measly $20 ($25 for non-WW members), and it can’t take you that long to write a seven page script, can…
2013 Winning Script – “Inspiration” (renamed COFFEE. TABLE. BOOK. in post-production) by Barbara Thomas
Before I can tell you guys anything about the latest and greatest FiLMLaB script to screen competition, I first need to say thank you to Ruth Witteried. I know I have ginormous shoes to fill. I hope I can do half the job you have done these last few years. *Sniff* Okay, let’s get down to…
We had two pieces of good news this weekend from FiLMLaB AD Tony Forsyth. Item #1: the little film that could, Alis Volat Propriis, was accepted into the Mt. Hood Independent Film Festival November 8-10 in Hood River, Oregon. You will remember Alis from previous columns as our 2012 FiLMLaB experiment and more recently as OIFF’s 2013 Best…
Willamette Writers encourages writers of all genres to enter the FiLMLaB Competition–even those who have never written a screenplay before. Screenwriting has generally accepted conventions and guidelines. Below are some valuable resources as well as links and screenwriting tips to make your short screenplay the best it can be: Our weekly FiLMLaB blog offers tips about…
Saturday night found a reunion of the 2012 FiLMLaB cast and crew at The Press Club, a cool little bistro across the street from the Clinton Street Theater where Alis Volat Propriis (written by Haley Isleib) was due to premier that night. For some of us, it had only been a few weeks since we…
The question I get most about Alis Volat Propriis, the FiLMLaB/Ampersand production directed by Christopher Alley, is how the finished film compares to the script I wrote. If you scroll down in this blog and read the post by 2013 winner Barbara Thomas, you know the FiLMLaB Script-to-Screen process is, like any good collaboration, not…