Tuesday night. You're in your pajamas, streaming the latest season of MASTER OF NONE. Or GILMORE GIRLS. Or--no judgement--POWER RANGERS: TURBO. About four episodes in, the "Keep Watching" box pops up. If it has been one of those weeks, click the button.
But if you've ever wondered what it is like being on the end of a television show, then this might be your year.
This year, FiLMLaB is making a pilot for an episodic web series.
Don't know a thing about writing for TV? Don't have an idea for a show? We will help you with our web series bootcamp.
Submissions are open
When you're ready, we invite you to submit your web series pilot for our script to screen competition. The web series script should be 7 pages maximum, in standard screenplay format, with 1-4 speaking characters. The pilot should have a beginning, middle, and end, and be aimed at a general audience.
With the help of a director, producer, and the writing team, the pilot of the web series will be shot in Portland, Oregon. In the end, the winner of the competition will have a produced film to their name, and everyone in the Writer’s Room will walk away with an IMDB credit, and an experience they will never forget.
Judging: Scripts will be judged on their creativity and writing, as well as their ability to be successfully produced for FiLMLaBtv, as provided by the Production Guidelines below.
Submissions: All submissions should be written in English, typed in 12-pt Courier, or similar font, and in industry-standard screenplay format. Maximum of 7 pages (as normally formatted on standard 8.5x11 paper). Scripts should be converted to and exported as PDF files. Submissions over 7 pages will be rejected without refund.
Story: Scripts will be judged as self-contained stories, with a beginning, middle and end, but they should also hold the promise of the season to come. All genres accepted. The ideal script will reflect FiLMLaB’s “experimental” nature, and the web series medium. Scripts should be aimed at a general audience. No pornography or graphic violence. FiLMLaB and the Contest judges may disqualify a script from consideration if the subject matter or content of the script is, at the judges’ sole discretion, not suitable for screening at the FiLMLaBtv event at the Willamette Writers Conference.
Location: Script must take place predominantly in one, normally available indoor location accessible from within the Portland metro area. Consider that specific, public locations (libraries, schools, etc.) may need to be reproduced or substituted, depending on the availability and cost of required permits. Beware that additional or exotic locations are not disqualifying, but may be negatively considered by FiLMLaBtv and the Contest Judges.
Cast: Maximum of 4 main characters. Additional minor characters or “extras” are acceptable, but beware that scenes requiring a “crowd” may be un-producible.
Effects: Hey, Spielberg, we don’t have access to George Lucas’ studio, so consider that any special effects or makeup designs will be done with cardboard and Maybelline, if at all. Extensive wardrobe requirements may also be a detriment.
Travel: Finalists and winners are responsible for their own travel and accommodations.
Eligibility: Members and immediate family of the Willamette Writers Board, Committees, Staff, Program Chairs, Chapter Chairs, and FiLMLaBtv judges and personnel are not eligible to participate. Previous FiLMLaB Grand Prize winners are not eligible to participate.
By entering the FiLMLaBtv Competition, entrants affirm that the submitted script is their own work, and that the entrants have not previously sold, assigned or licensed any rights to the script. Entrants understand their submitted work will be distributed and viewed my multiple judges and FiLMLaBtv production personnel. Scripts will not be returned. Entrants agree to hold Willamette Writers Inc. (a nonprofit, 501(c)3 organization), the Willamette Writers Conference, and FiLMLaBtv production team harmless with respect to any claims (including, but not limited to, claims related to intellectual property, defamation, or any other tortuous acts) arising from the acts of any individuals not acting within the scope of their duties to Willamette Writers and its programming.
Legal Information for the Winning Script
Editorial Control: The Entrant agrees that, if entrant’s script is produced into a film or series, the resulting film or series may vary in form or content from the submitted script, owing to artistic choices by the director or to production needs and limitations. Entrant understands and agrees that Willamette Writers, through its production team, will have final artistic and editorial control over the resulting film or web series.
Ownership: In exchange for the expense and effort expended by Willamette Writers, Inc. and the production team in producing the film or web series based on the Entrant’s script, Entrant agrees to fully assign and transfer Entrant’s ownership and copyright interest in the winning script to Willamette Writers, who shall be the owner of the completed film or web series. Entrant understands Willamette Writers may exhibit and promote this Film or web series on an ongoing basis, at film festivals, Willamette Writers events, and the Film may be available for viewing online.
Submit to FiLMLaBtv
So, go ahead. Watch that next "Shadow Rangers" episode. But if you're ready to bring your own TV vision to life, click here to submit.
From the FiLMLaB Blog
Since FiLMLaB began in 2012, we have always invited a handful of Hollywood experts to weigh in on the final few scripts in a round that has become known as Celebrity Judging. Not only does it get the work of aspiring screenwriters in front of a manager/agent/producer; when these same industry professionals attend our August…
Another round of reading and script evaluation has been completed! A new set of judges have weighed in to determine which scripts will advance to the next round. Without further ado, we are happy to announce the 2016 FiLMLaB Semifinalists: DARLIN COMMIT ME, by Douglas Boom FRAME OF MIND, by Shaun Radecki OBJECT OF AFFECTION,…
Willamette Writers is pleased to announce the 2016 FiLMLaB Quarterfinalists. These scripts (and writers) have made it through the first round of judging.
FiLMLab’s Script-to-Screen Contest awards its winners with the production of their script into shorts with the aid of professional directors and actors. With the deadline for the contest coming tonight (Tuesday, March 29, 2016, 11:59 p.m. PT) we’re getting excited about the winner’s premier at the Annual Willamette Writers Conference. The past few years have blown us…
FiLMLaB’s third podcast deals with copyright; a brief discussion with screenwriter Randall Jahnson, WW Visual Media Director Ruth Witteried, and attorney and FiLMLaB co-founder, Stefan Feuerherdt. [soundcloud url=”https://soundcloud.com/ww-filmlab/wwc-filmlab-copyright” params=”color=00cc11&auto_play=false&hide_related=false&show_artwork=true&visual=false” width=”100%” height=”166″ iframe=”true” /]
“At FiLMLaB, the experiment is you.” No, really. We mean it. The FiLMLaB experiment 2016 is all about you, the writer, and what happens when you step into the lab. It is not easy being the subject of an experiment. Nor is it any fun having limitations placed on your creativity: seven pages, four characters, and…
If you braved the cold temperatures and came out to the FiLMLaB kickoff Tuesday night at TaborSpace, then you are probably already working on your story ideas for the 2016 short screenplay contest. If not, then read about the short screenplay writing prompts now!
We are preparing for the 2016 FilmLab launch this Tuesday, January 5th, at Tabor Space! We’ve had lots of helpful suggestions as to what the contest should look like this year: shorten the page count to just four pages (because seven isn’t hard enough!); have two writing prompts instead of three; utilize the conference theme as…
Being five is going to be so awesome! We should have a party. With cake. I suggest Tuesday, January 5th. Our regular hangout, The Old Church, is closed for remodeling, so we’ve booked the Copeland Commons room at TaborSpace instead. We’ll still open the doors at 6:30 and get things going at 7:00, which means I will…
2015 Winning Script – “The Robbery” (renamed “The Return of Bug-Eyed Bill”) by J. Mark Scarbrough