FiLMLaBtv

Tuesday night. You're in your pajamas, streaming the latest season of MASTER OF NONE. Or GILMORE GIRLS. Or--no judgement--POWER RANGERS: TURBO. About four episodes in, the "Keep Watching" box pops up. If it has been one of those weeks, click the button.

But if you've ever wondered what it is like being on the end of a television show, then this might be your year.

FILMLABtv Episodic web series

Introducing: FiLMLaBtv

This year, FiLMLaB is making a pilot for an episodic web series.

Don't know a thing about writing for TV? Don't have an idea for a show? We will help you with our web series bootcamp.

Submissions are open

When you're ready, we invite you to submit your web series pilot for our script to screen competition. The web series script should be 7 pages maximum, in standard screenplay format, with 1-4 speaking characters. The pilot should have a beginning, middle, and end, and be aimed at a general audience.

After an initial round of judging in Portland, Oregon, 10 finalists will be chosen by our industry professionals in LA. From those ten finalists, a winning web series script will be chosen.
But FilLMLaB.tv does not end there.
Those ten finalists will have the unique opportunity to join in a Writer’s Room, led by showrunner FJ Pratt. Pratt has been a writer for numerous series, including Ellen and Frasier, and was the show-runner for Sullivan and Son.
Pratt will guide our ten finalists through a post-table read with trained professionals and a polish of the pilot. Upon completion, and time permitting, the writer's room will collectively write episode #2 and map out the entire first season. Our finalists will then have the opportunity to participate as we take the web series into production.
With the help of a director, producer, and the writing team, the pilot of the web series will be shot in Portland, Oregon. In the end, the winner of the competition will have a produced film to their name, and everyone in the Writer’s Room will walk away with an IMDB credit, and an experience they will never forget. 

Benefits

With the help of a director, producer, and the writing team, the pilot of the web series will be shot in Portland, Oregon. In the end, the winner of the competition will have a produced film to their name, and everyone in the Writer’s Room will walk away with an IMDB credit, and an experience they will never forget.

General Guidelines

Judging: Scripts will be judged on their creativity and writing, as well as their ability to be successfully produced for FiLMLaBtv, as provided by the Production Guidelines below.

Submissions: All submissions should be written in English, typed in 12-pt Courier, or similar font, and in industry-standard screenplay format. Maximum of 7 pages (as normally formatted on standard 8.5x11 paper). Scripts should be converted to and exported as PDF files. Submissions over 7 pages will be rejected without refund.

Story: Scripts will be judged as self-contained stories, with a beginning, middle and end, but they should also hold the promise of the season to come. All genres accepted. The ideal script will reflect FiLMLaB’s “experimental” nature, and the web series medium. Scripts should be aimed at a general audience. No pornography or graphic violence. FiLMLaB and the Contest judges may disqualify a script from consideration if the subject matter or content of the script is, at the judges’ sole discretion, not suitable for screening at the FiLMLaBtv event at the Willamette Writers Conference.

Production Guidelines

Location: Script must take place predominantly in one, normally available indoor location accessible from within the Portland metro area. Consider that specific, public locations (libraries, schools, etc.) may need to be reproduced or substituted, depending on the availability and cost of required permits. Beware that additional or exotic locations are not disqualifying, but may be negatively considered by FiLMLaBtv and the Contest Judges.

Cast: Maximum of 4 main characters. Additional minor characters or “extras” are acceptable, but beware that scenes requiring a “crowd” may be un-producible.

Effects: Hey, Spielberg, we don’t have access to George Lucas’ studio, so consider that any special effects or makeup designs will be done with cardboard and Maybelline, if at all. Extensive wardrobe requirements may also be a detriment.

Travel: Finalists and winners are responsible for their own travel and accommodations.

Eligibility: Members and immediate family of the Willamette Writers Board, Committees, Staff, Program Chairs, Chapter Chairs, and FiLMLaBtv judges and personnel are not eligible to participate. Previous FiLMLaB Grand Prize winners are not eligible to participate.

Legal Information

By entering the FiLMLaBtv Competition, entrants affirm that the submitted script is their own work, and that the entrants have not previously sold, assigned or licensed any rights to the script. Entrants understand their submitted work will be distributed and viewed my multiple judges and FiLMLaBtv production personnel. Scripts will not be returned. Entrants agree to hold Willamette Writers Inc. (a nonprofit, 501(c)3 organization), the Willamette Writers Conference, and FiLMLaBtv production team harmless with respect to any claims (including, but not limited to, claims related to intellectual property, defamation, or any other tortuous acts) arising from the acts of any individuals not acting within the scope of their duties to Willamette Writers and its programming.

Legal Information for the Winning Script

Editorial Control: The Entrant agrees that, if entrant’s script is produced into a film or series, the resulting film or series may vary in form or content from the submitted script, owing to artistic choices by the director or to production needs and limitations. Entrant understands and agrees that Willamette Writers, through its production team, will have final artistic and editorial control over the resulting film or web series.

Ownership: In exchange for the expense and effort expended by Willamette Writers, Inc. and the production team in producing the film or web series based on the Entrant’s script, Entrant agrees to fully assign and transfer Entrant’s ownership and copyright interest in the winning script to Willamette Writers, who shall be the owner of the completed film or web series. Entrant understands Willamette Writers may exhibit and promote this Film or web series on an ongoing basis, at film festivals, Willamette Writers events, and the Film may be available for viewing online.

Submit to FiLMLaBtv

So, go ahead. Watch that next "Shadow Rangers" episode. But if you're ready to bring your own TV vision to life, click here to submit.

From the FiLMLaB Blog

Welcome Judges!

By Ruth Witteried | March 25, 2013

FiLMLaB is honored to announce our finalist judges for the 2013 Script-to-Screen Contest:   Erik Bork is best known for his Emmy and Golden Globe-winning work as a writer-producer on the HBO miniseries Band of Brothers and From the Earth to the Moon.  He has sold pitches, written pilots and screenplays on assignment for Universal Pictures,…

Script-to-Screen Deadline Arrives

By Stefan Feuerherdt | March 18, 2013

I had the chance to hang out at the Willamette Writers House in West Linn Friday Night, where the doors were open, post-office-on-tax-day style.  Snacks and beverages and short films, including last year’s Script-to-Screen winner, “Alis Volat Propriis,” were on hand.   What did I learn?  Well, the vast majority of writers out there have figured…

Hit Send Before Midnight!

By Ruth Witteried | March 14, 2013

by Haley Isleib Hey there! There’s still time to enter this year’s FiLMLaB Script-to-Film contest. Congrats to all who have already entered this year’s FiLMLaB contest. Reach around right now and pat yourself on the back. You rock! To all those who haven’t entered yet–there’s still time! I sent in my script (via email) last year at 11:50pm…

What Can You Learn From Oscar Shorts?

By Ruth Witteried | March 11, 2013

by Ruth Witteried It is not easy to find the Oscar Nominated Shorts on Comcast Pay Per View. I found them once, then they seemed to disappear from cable and the internet. In fact, they had been pulled from the internet prior to the Academy Awards and a recent search turned up only their trailers.…

Why Short Film?

By Ruth Witteried | March 3, 2013

by Ruth Witteried Twelve days and counting till the March 15th Script to Screen deadline. Have you submitted your short script yet? While there are lots of short film festivals, you may very well question the benefit of writing a short or producing a short film. After all, do you attend short film festivals? Do…

Script to Screen Tips and Trips

By Ruth Witteried | February 24, 2013

by Ruth Witteried As the Willamette Writers kick off their second Script to Screen short screenplay competition, several writers have requested tips for creating successful entries, or at the very least that we share the ‘trips’ of previous submissions; the avoidable errors that we ran into most often when judging. Tip #1 Use professional script…

2012 FiLMLaB Winner – Alis Volat Propriis

By Ruth Witteried | November 1, 2012

2012 Winning Script – “Alis Volat Propriis” by Haley Isleib Winner of Best Comedic Short in the Oregon Independent Film Festival 2013, Official Selection at the Mt. Hood Independent Film Festival 2013, and Official Selection at the Portland Film Festival 2014.

Welcome 2012 Judges

By Ruth Witteried | June 2, 2012

The judges for the final round of the 2012 Willamette Writers FiLMLaB script to screen competition are: Eric Williams Manager at Zero Gravity Management Bio: After years as an agent at Paradigm Talent Agency and Writer’s & Artists Agency, Eric founded the management division of Zero Gravity in 2004; a full-service management and production company…