Tuesday night. You're in your pajamas, streaming the latest season of MASTER OF NONE. Or GILMORE GIRLS. Or--no judgement--POWER RANGERS: TURBO. About four episodes in, the "Keep Watching" box pops up. If it has been one of those weeks, click the button.
But if you've ever wondered what it is like being on the end of a television show, then this might be your year.
This year, FiLMLaB is making a pilot for an episodic web series.
Don't know a thing about writing for TV? Don't have an idea for a show? We will help you with our web series bootcamp.
Submissions are open
When you're ready, we invite you to submit your web series pilot for our script to screen competition. The web series script should be 7 pages maximum, in standard screenplay format, with 1-4 speaking characters. The pilot should have a beginning, middle, and end, and be aimed at a general audience.
With the help of a director, producer, and the writing team, the pilot of the web series will be shot in Portland, Oregon. In the end, the winner of the competition will have a produced film to their name, and everyone in the Writer’s Room will walk away with an IMDB credit, and an experience they will never forget.
Judging: Scripts will be judged on their creativity and writing, as well as their ability to be successfully produced for FiLMLaBtv, as provided by the Production Guidelines below.
Submissions: All submissions should be written in English, typed in 12-pt Courier, or similar font, and in industry-standard screenplay format. Maximum of 7 pages (as normally formatted on standard 8.5x11 paper). Scripts should be converted to and exported as PDF files. Submissions over 7 pages will be rejected without refund.
Story: Scripts will be judged as self-contained stories, with a beginning, middle and end, but they should also hold the promise of the season to come. All genres accepted. The ideal script will reflect FiLMLaB’s “experimental” nature, and the web series medium. Scripts should be aimed at a general audience. No pornography or graphic violence. FiLMLaB and the Contest judges may disqualify a script from consideration if the subject matter or content of the script is, at the judges’ sole discretion, not suitable for screening at the FiLMLaBtv event at the Willamette Writers Conference.
Location: Script must take place predominantly in one, normally available indoor location accessible from within the Portland metro area. Consider that specific, public locations (libraries, schools, etc.) may need to be reproduced or substituted, depending on the availability and cost of required permits. Beware that additional or exotic locations are not disqualifying, but may be negatively considered by FiLMLaBtv and the Contest Judges.
Cast: Maximum of 4 main characters. Additional minor characters or “extras” are acceptable, but beware that scenes requiring a “crowd” may be un-producible.
Effects: Hey, Spielberg, we don’t have access to George Lucas’ studio, so consider that any special effects or makeup designs will be done with cardboard and Maybelline, if at all. Extensive wardrobe requirements may also be a detriment.
Travel: Finalists and winners are responsible for their own travel and accommodations.
Eligibility: Members and immediate family of the Willamette Writers Board, Committees, Staff, Program Chairs, Chapter Chairs, and FiLMLaBtv judges and personnel are not eligible to participate. Previous FiLMLaB Grand Prize winners are not eligible to participate.
By entering the FiLMLaBtv Competition, entrants affirm that the submitted script is their own work, and that the entrants have not previously sold, assigned or licensed any rights to the script. Entrants understand their submitted work will be distributed and viewed my multiple judges and FiLMLaBtv production personnel. Scripts will not be returned. Entrants agree to hold Willamette Writers Inc. (a nonprofit, 501(c)3 organization), the Willamette Writers Conference, and FiLMLaBtv production team harmless with respect to any claims (including, but not limited to, claims related to intellectual property, defamation, or any other tortuous acts) arising from the acts of any individuals not acting within the scope of their duties to Willamette Writers and its programming.
Legal Information for the Winning Script
Editorial Control: The Entrant agrees that, if entrant’s script is produced into a film or series, the resulting film or series may vary in form or content from the submitted script, owing to artistic choices by the director or to production needs and limitations. Entrant understands and agrees that Willamette Writers, through its production team, will have final artistic and editorial control over the resulting film or web series.
Ownership: In exchange for the expense and effort expended by Willamette Writers, Inc. and the production team in producing the film or web series based on the Entrant’s script, Entrant agrees to fully assign and transfer Entrant’s ownership and copyright interest in the winning script to Willamette Writers, who shall be the owner of the completed film or web series. Entrant understands Willamette Writers may exhibit and promote this Film or web series on an ongoing basis, at film festivals, Willamette Writers events, and the Film may be available for viewing online.
Submit to FiLMLaBtv
So, go ahead. Watch that next "Shadow Rangers" episode. But if you're ready to bring your own TV vision to life, click here to submit.
From the FiLMLaB Blog
by Ruth Witteried If you follow FiLMLaB or Willamette Writers on Facebook, then you already know that our 2012 FiLMLaB short, Alis Volat Propriis (written by Haley Isleib) was accepted into the Oregon Independent Film Festival in Portland and Eugene. To add to that good news, we found out last week that it wasn’t just…
A Winner Weighs in on FiLMLaB by Barbara Thomas First, I’d like to thank Ruth Witteried for the opportunity to blog about my conference experience. It’s a second draft, so to speak, of all the not-terribly-eloquent things I said during the Willamette Writers Conference. Throughout the weekend I was asked “How does it feel to watch…
by Ruth Witteried The second annual FiLMLaB short, Inspiration, made its debut last Friday night at the Willamette Writers Conference. Scheduled from 7-9 pm, I spent most of the hours preceding it worrying whether author Barbara Thomas would actually arrive in time for her own premier! Flying in from Dallas that afternoon, with…
by Ruth Witteried Welcome to your final Monday before the 2013 Willamette Writers Conference! Not only are we looking forward to the FiLMLaB Premier of INSPIRATION, our winning Script-to-Screen short script written by Barbara Thomas and produced by Willamette Writers; we are looking forward to the infectious excitement and enthusiasm inherent in the gathering of…
When I got the call back in May that my script had won the FiLMLaB competition, I was ecstatic. FiLMLaB offers what I consider the most rewarding prize possible; the opportunity to put one’s work in front of an audience. The film that will be shown next month in Portland though, isn’t the film I…
by Ruth Witteried With no new FiLMLaB updates to report I’m going to take this opportunity to write about what’s new at the upcoming Willamette Writers Conference, August 1-4 at the Airport Sheraton Hotel. First off, notice I refer to four days of conference, not the traditional three. That is because things are happening on…
by Randall Jahnson I felt like I was back in L.A. It was a hot Friday afternoon and here I was stuck on a freeway, inching along at 15 miles per with every other moron who was Living the Dream. The sun blazed down on my aging SUV with its inefficient air conditioner blasting away. …
by Ruth Witteried It was with great excitement I received my Call Sheet from Ampersand Productions Assistant Director, Anthony Forsyth last week, sent to all cast and crew involved in the FiLMLaB shoot . As an Executive Producer, I would undoubtedly be one of the least useful people on the set, but I was going to try my…
by Ruth Witteried I met with Luke Ryan in February of this year at his Disruption Entertainment office on the Paramount lot in Los Angeles. A stalwart supporter of Willamette Writers since his days as an MGM executive, Luke has been a consistent presence at our conference teaching classes, guiding nervous writers through the…
by Bill Johnson I teach that a story creates movement and the movement transports an audience. This dynamic holds whether the story is a novel, screenplay, play, short story, or short script. The language used to talk about stories often conveys movement: story arc, hero’s journey, plot points. Stories that fail to establish they are moving…